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The beauty of lost causes

by emilie roulet & michael frei

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1.
Elle a dansé dans la brume Au son des bises glacées Et des bateaux qui s’inclinent On l’a vue brisée. Elle a armé dans la brume Au son des nuages filés Et des voiles qui trépignent On l’a vue portée. Elle a levé son enclume Au son des langueurs passées Des visages qui s’indignent On l’a vue pleurer.
2.
hoover dam 03:33
She jumped right off the Hoover Dam - Left a note sayin’ : « If If the world was but halfway grand, I wouldn’t have to jump that cliff… » She rose so high up in the sky - Just like a bird ‘d have flown « Oh, if the world was but halfway lies, I wouldn’t have to drop like stone… » « From up here I can see the city lights From here I can see the stars above In the stillness of this desert flight Impossibles are true – like – “love”… A body lay on this riverbed Her eyes a hollow blue – that said : « If the world was but halfway dead, We’d blink to see it through… » « From down here I can grasp the endless sky From here I’m the world and galaxy In the stillness of this desert night Impossibles are true – like – “We…” Oh the water fills these lungs with forgiveness- And resonates like prayer, cold and damp God bless the ones - still standing - God bless the ones –still standing on Hoover Dam… God bless the ones – still on… - on Hoover Dam…
3.
En chline Bueb wird stumm gebore S’isch fiischter, s’schmöckt nach Schnee En junge Maa hät s’Härz verlore Du, häsch es nieneds gseh? Es Meitli hät en Brief verbrännt Mit em Füürzüg, us em Buuch E jungi Frau hät alls verschänkt Drum hört Sie jetzt - Drum hört Sie jetzt grad uf… Wo chömed all die Geischter här Und wo sind mini Träum? Die hocked det mit starrem Blick Wie Mumie uf de Bäum Wo chömed all die Geischter här Und gönds no nöimeds hii? Oder wandereds blind im chalte Wald Und lueged hinderschi Und lueged hinderschi? En alte Maa luegt um sich ume s‘isch muffig i dr Stube Er wett es wär no öpper ume Doch er füettered nume d’Tuube En alti Frau luegt stolz derher Sie isch nomal bim Coiffeur gsii Doch s’Wägeli wird langsam z’schwär Die guete Ziite - Die guete Ziite sind verbii… Wo chömed all die Geischter här Und wo sind mini Träum? Die lached hohl und säged mir Was ich alles ha versäumt Wo chömed all die Geischter här Säg mer, bliibe die für immer? Ich hocke jetzt bi schwachem Liecht We ne Mumie uf em Zimmer... We ne Mumie uf mim Zimmer…
4.
Well, it’s rough, but the moths have been drinking, again But their somersaults seem tame And as all their hopes have been sinking, again It seems the right time to jump the flame. It seems the right time to jump the flame.
5.
au revoir 03:14
You came without warning You left without haste So sweet the illusion So bitter the taste Au revoir Mon amour Au revoir Mon amour * I mean, I don’t think we should – say goodbye * You sure brought the storm in But summer - as well You darkened my heaven Yet brightened my hell Au revoir Mon amour Au revoir Mon amour
6.
ravine 02:30
Nobody knows the trouble we’ve seen But for our own Lord, over yonder We buried the first born Near the Ravine He swam in the lake and Went under. Nobody knows the trouble we’ve seen But for our own Lord, over yonder We buried the second Near the Ravine But bones on his cheeks From the hunger. The grief and the pocks and the shortness of breath Beneath those rocks our own valley of death Nobody knows the trouble we’ve seen The trouble we’ve seen… Nobody knows the trouble we’ve seen But for our own Lord, over yonder We’ve lit all our candles Near the Ravine If the third one’s to die We’ll go under.
7.
give it up 05:01
The elder lady took the train With her handbag & flowery scarf At the lone, deserted station Like a cowering, dwindling dwarf. Onto the clinic, breathing heavy The sun burnt scars into the ground Face down at the great, big table Sullen daughter made no sound. These long corridors at the hospital Longer hours scrubbing floors Sister Rosa wore a wooden cross Yet put shame upon the poor. And the hurt down in her belly Just like those arrows in the head Her legs had turned to jelly The mirror said: “You’re dead”. Oh, why don’t you give it up - Oh, why don’t you give it up Oh, why don’t you give it up - Oh, why don’t you…? On the train back to the village So many lonely, clinging farms When your spirit’s torn and pillaged Hope for blessings – count the harm. And, oh, Father came to get her In the carriage, brooding, tall No word there on the journey His back just like a wall. It’ll be easier It’ll be easier It’ll be easier Easier… Back at home and all is different November’s right before the door The pastor spouts forgiveness Yet puts shame upon the poor. And Baby’s in the corridor They say he has to leave She’ll curse this love forevermore If she sets her mind to grieve. Oh, why don’t you give it up Oh, why don’t you give it up Oh, why don’t you give it up Oh, why don’t you give it up Give it up! Give it up! Give it up!
8.
Oh, see my dove in this Blue Pristine How it does sing How it does sing You rise upon the evening air Oh Fly, my love Oh Fly, my love Move away The sky is clear Love is bliss But love is fear To hate one’s home Away you move… Away you move…
9.
Feel the light in It’ll bring you where Life is burning Shows you the way Shows you the way Feel the light in It’ll caress your bones Heal the distress Of infinite sorrows As we drive around In our ’67 Caravelle Oh, it seems we break the speed of sound A million times (at least in our dreams) Feel the light in It’ll soothe our bones Feel the caress Of these infinite meadows As we drive around – drive around In our ’67 Caravelle
10.
wild beast 04:31
It was not a specific moment that triggered it. It was not a particular chain of events that set the wheels in motion. She just looked up, one evening, and gazed into the fire. There seemed to be no point, no purpose to it all. So she stood up, put down her knitting, neatly folded her jacket and placed it on the chair. She wouldn’t need it anymore. She turned off the lights, opened the kitchen door and stepped outside. The air was cool and fresh and even the tiniest particles of dust tasted like cinnamon. She could see them reflecting in the moonlight. She nodded ever so slightly and took a few steps toward the river. She said to herself: It was not a specific moment that triggered it. It was not a particular chain of events that set the wheels in motion. She just knew. She took off her shoes and let the first gush of water gently wash over her feet She looked up into the moonlight and saw herself. She spread her arms, ever so slowly. She was a bird. She was a fish. She was a wild beast. She was a wild beast, She said to herself – And smiled.
11.
Well, we know that we have lost, when we Can’t remember when we’d won When all of our screensavers Depict the same old setting sun Well, we know that we have lost, when we Can’t laugh about ourselves When kindness seems so much harder Than cruelty casually dealt Well. we know that we have lost, When we’ve got no time to spare Run amok in shiny sneakers Dudes on TV make us wear Well, we know that we have lost When all that we could gain From these years of dull existence Is this numbness from the pain – (from the pain) * Well, we know that we have lost, when we Can’t remember when we’d won When all of our screen saviours Just turn their backs and run.
12.
En chline Bueb wird stumm gebore S’isch fiischter, s’schmöckt nach Schnee En junge Maa hät s’Härz verlore Du, häsch es nieneds gseh? Es Meitli hät en Brief verbrännt Mit em Füürzüg, us em Buuch E jungi Frau hät alls verschänkt Drum hört Sie jetzt - Drum hört Sie jetzt grad uf… Wo chömed all die Geischter här Und wo sind mini Träum? Die hocked det mit starrem Blick Wie Mumie uf de Bäum Wo chömed all die Geischter här Und gönds no nöimeds hii? Oder wandereds blind im chalte Wald Und lueged hinderschi Und lueged hinderschi? En alte Maa luegt um sich ume s‘isch muffig i dr Stube Er wett es wär no öpper ume Doch er füettered nume d’Tuube En alti Frau luegt stolz derher Sie isch nomal bim Coiffeur gsii Doch s’Wägeli wird langsam z’schwär Die guete Ziite - Die guete Ziite sind verbii… Wo chömed all die Geischter här Und wo sind mini Träum? Die lached hohl und säged mir Was ich alles ha versäumt Wo chömed all die Geischter här Säg mer, bliibe die für immer? Ich hocke jetzt bi schwachem Liecht We ne Mumie uf em Zimmer... We ne Mumie uf mim Zimmer…

credits

released August 19, 2022

the beauty of lost causes
(a record by)
emilie roulet & michael frei

featuring contributions by
fred merk
philippe simon
sam vaney
timothée zurbuchen

recorded by chris diggelmann, fred merk & michael frei

produced by chris diggelmann & fred merk,
co-produced by emilie roulet & michael frei

recorded @mazzive sound (bellmund ch), january 10/11 2021
recorded @invisible inc. studio (st-légier ch) april 18 2021
recorded @studio 603 (vevey ch), may 2021

mixed by chris diggelmann (tracks 1, 2, 5, 6, 7 & 10) & fred merk (tracks 3, 4, 5, 8 & 9)
mastered by chris diggelmann

photographs by pierre-edouard monnier

cover design by mathieu donner

Distribution: trepanationrecordings.bandcamp.com
(except) Distribution for Switzerland : emilierouletmichaelfrei.bandcamp.com

Booking and Management: Séverine Gonzalez - cvrin prod • cvrin.com
www.cvrin.com/artistes/emilieroulet-michaelfrei

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emilie roulet & michael frei Vevey, Switzerland

A quiet and melancholy songwriting dialogue between pianist Emilie Roulet and singer Michael Frei (both members of Swiss Pop/Folk Band Hemlock Smith) gives birth to a profoundly moving and surprising album.

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